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    Home » CONGRATULATIONS: THE RAMONES ARE BACK WITH A NEW ALBUM… EVEN THOUGH THEY’RE ALL DEAD…
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    CONGRATULATIONS: THE RAMONES ARE BACK WITH A NEW ALBUM… EVEN THOUGH THEY’RE ALL DEAD…

    AdminBy AdminMay 6, 2025No Comments4 Mins Read
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    **CONGRATULATIONS: THE RAMONES ARE BACK WITH A NEW ALBUM… EVEN THOUGH THEY’RE ALL DEAD!**

     

    Death can’t stop punk! No way, no how.

     

    The Ramones, New York City’s eternal garage rock legends, have defied the ultimate curfew and crashed back onto the scene with a brand-new album, *Rocket From Russia*. Yes, that *Rocket From Russia*—the 1977 punk classic—is now reborn in 2025 as a brand-new collection of unearthed recordings, modern reinterpretations, and spiritual successors that scream with the raw energy, middle-finger attitude, and straight-to-the-point genius that made The Ramones legends in the first place.

     

    That’s right: Joey, Johnny, Dee Dee, and Tommy may be long gone from this mortal coil, but the beat is back—and it’s louder than a chainsaw in a phone booth.

     

    **The Resurrection of Punk’s Sacred Flame**

     

    Let’s be clear: this isn’t a “tribute” album. *Rocket From Russia (2025)* is something stranger, more exciting, and—somehow—more authentic. This record is the result of years of obsessive tape collecting, studio alchemy, AI wizardry (yes, really), and a dose of good old-fashioned punk chaos. The project was spearheaded by a motley crew of Ramones superfans, underground producers, and estate collaborators who spent the last decade piecing together lost demos, radio session bootlegs, and unfinished scraps from the heyday of CBGB’s filth and fury.

     

    Add to that a few modern punk bands lending backup muscle—plus some AI-trained on Joey Ramone’s iconic drawl—and suddenly you’ve got an album that feels less like a nostalgic cash-in and more like a sonic séance.

     

    And it works. Against all odds, it works.

     

    **What’s on the Album?**

     

    You’ll recognize a few titles—“Cretin Hop,” “Teenage Lobotomy,” “Sheena Is a Punk Rocker”—but don’t expect carbon copies. Some tracks are reimagined with a gritty industrial edge, others layered with feedback-heavy distortion and offbeat arrangements that push the Ramones into darker, more experimental territory without losing that essential 1-2-3-4 backbone.

     

    Then there are the unreleased gems: “Subway to Hell,” a blistering 90-second ode to NYC’s most infamous late-night rides, and “Russia Redux,” a haunting anti-anthem stitched together from Joey’s original vocals and eerie Cold War-era news clips. It’s weird. It’s punk. It’s perfect.

     

    There’s also an unexpected guest spot by Iggy Pop, who snarls his way through a duet version of “Do You Wanna Dance?” like the godfather of punk just dropped in to pour gasoline on a fire.

     

    **From the Grave to the Stage?**

     

    Rumors are swirling about a “virtual tour” using holograms or AI projections. Creepy? Maybe. But if you’re the kind of person who ever pogo’d in a leather jacket with safety pins in your ears, you might just think it’s punk as hell.

     

    One Brooklyn venue has already announced a listening party complete with an all-vinyl pressing, original leather jackets on display, and free pizza. Because what’s more Ramones than that?

     

    **Punk’s Not Dead—It’s Just Digitized**

     

    What does it mean to release a “new” Ramones album in 2025? On one level, it’s pure resurrection rock, a Frankenstein’s monster stitched together by love, noise, and nostalgia. But dig a little deeper, and it’s a statement: that the raw simplicity, unfiltered angst, and three-chord genius of punk still matter—even in a world of algorithmic playlists and TikTok trends.

     

    “Punk was always about tearing it down to build it back up,” says producer Nikki Blitz, one of the minds behind *Rocket From Russia (2025)*. “We didn’t bring the Ramones back to life—we just turned up the volume so the world could hear them again.”

     

    And maybe that’s the real point. The Ramones weren’t about perfection. They weren’t about solos or polish or trends. They were about urgency. About showing up, plugging in, and screaming into the void because someone had to.

     

    That spirit lives on in this album—not just in the tracks, but in the way it was created. DIY meets AI, old tapes meet new blood, and somehow it all comes together in a 14-track punch to the face that’s as fun as it is ferocious.

     

    **The Last Word**

     

    Joey once sang, “I don’t care.” But this album proves that a lot of people still do. *Rocket From Russia (2025)* is a wild, strange, and totally fitting tribute to a band that never played by the rules—even death’s.

     

    So grab your leather, crank the stereo, and pogo like it’s 1977. The Ramones are back, baby. And this time, they’re immortal.

    Ramones
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